作为世界上最顶级的编舞师之一，一次向法国巴黎歌剧院芭蕾舞团提供二套他的作品是十分困难的。梦幻般的《美狄亚之歌》是毛兰扎对希腊神话中美狄亚的传说进行自由发挥而写成的歌剧。这部歌剧探讨了女性矛盾的灵魂，描绘了她作为一个慈母和受害者所受的折磨和所做的牺牲以及她对子女... [查看更多]

作为世界上最顶级的编舞师之一，一次向法国巴黎歌剧院芭蕾舞团提供二套他的作品是十分困难的。梦幻般的《美狄亚之歌》是毛兰扎对希腊神话中美狄亚的传说进行自由发挥而写成的歌剧。这部歌剧探讨了女性矛盾的灵魂，描绘了她作为一个慈母和受害者所受的折磨和所做的牺牲以及她对子女的爱。编舞者用12个男舞者扮演十二使徒，他们强壮有力的雄性身躯的运动，表达了编舞者对力量的赞美。 - 访歌剧芭蕾舞协会导演安杰林普蕾罗卡、毛兰扎和布里吉特利费夫。

This double bill from one of the world's leading choreographers offers two of his major works, danced by the Ballet de l'opera de Paris. The dreamlike Songe de Medee, with music by Mauro Lanza and freely based on the Greek myth of Medea, explores a woman's soul, portraying her, paradoxically, as a tender loving mother and a tormented victim who sacrifices everything, including her children, for love. MC14/22 (Ceci est mon corps) is a meeting of the spiritual and the carnal, drawing on St. Mark's version of The Last Supper in the Bible: 'Take, eat: this is my body'. Created for twelve male dancers, Preljocaj's 'Apostles of Movement', and with soundscapes by Tedd Zahmal, this powerfully sensual and passionate work is a hymn to the male body, stripped down to its deepest reality, juxtaposing the glorification of strength and the condemnation of force. Bonus features:- Interviews with Angelin Preljocaj, Mauro Lanza and Brigitte Lefevre, director of Ballet de L'Opera